My origins in clay are rooted in the southern folk pottery traditions of North Carolina. Growing up in the rural south has given me access to its colorful history and characters, which serves as a catalyst for ideas. Yet my work also draws from many cultures: Greek, Korean, Chinese, Pre-Columbian, European and Mimbres. The idea of dipping my ladle in many historical and cultural wellsprings is an adventure, my journey.
To me, art is a visual language. The origins of my artistic language emanate from life’s experiences, readings of literature and mythology, and visual interpretations of art history. Often this language focuses on the absurdity, the unpredictability and the unruliness of life. Like a classical language, the vocabulary that I create has many layers of meaning. I leave it with the viewers to derive their personal interpretations.